After years alongside Sergio Lagos, the musician resumed the solo project and has now turned it into a trio with guitar and drums. In conversation with Culto, he previews Radioedit, the album he will release in October and that aims to bring Marciano back to the festivals. “I don’t want Marciano to play the club scene again,” he says.
After his successful appearance at the Viña del Mar Festival 2025 and his tour “Edo Caroe No Tiene Show,” the Chilean comedian closes this cycle with three shows at the Movistar Arena on November 27, 28, and 29.
The venue management will invest US$ 13 million in new infrastructure; 300 parking spaces, 130 storage units, and 10 new commercial premises. Also a new facade.
Tony, the film by Canadian Matt Johnson, revolves around a summer in the 70s when the writer and head chef was a cocky young man who went through a series of transformative experiences. Starring Dominic Sessa in the lead role and Antonio Banderas as his mentor, the film has just premiered amid high expectations in the United States and has sparked enthusiastic reviews in the specialized press.
Released amid the controversy over John Lennon’s statements about Jesus and the band’s last tour, the 1966 album – which turned 60 years old – received a colder reception than its current status as a masterpiece suggests, even in Chile where it didn’t even qualify among the albums of the season. Only time ended up turning it into a classic.
The former drummer of the trio was on the program Viernes de Culto previewing the show with which he will celebrate the 40 years of the essential Pateando Piedras. He says it is difficult to invite Jorge González to the event, but that his current relationship with him is good. He also reviews some stories of the trio: his role as the band’s soothsayer – “I saw the group’s betrayals,” he says – and how concerned they were about the Chilean reality since they were children with their former bandmates. “In Chilean words, we were super lazy,” he jokes.
Aging is making me clumsy and slow, distrustful and grumpy. Aging is shrinking me, shrinking, becoming irrelevant, almost invisible.
The journalist Alejandro Tapia, author of the biography Ya viene la fuerza, recreates the story and the relationship of the San Miguel trio with the Peruvian audience; the French philosopher explores the passionate search for certainties in a world shaped by uncertainty, and the artist Félix Vega publishes his first visual novel.
Ten years after her debut, the author brings together her poetic work in Soñamos con cetáceos. In this interview, she reflects on the origin of her vocation in a school workshop, the poem as a refuge from haste, and the vitality of a tradition that resists institutional abandonment.
A key part of House of the Dragon since its origins, the English actor has no interest in deciding whether his character is a villain or an antihero. “That is something others will have to figure out,” he points out in this interview with Culto, where he discusses the close relationship with his role and analyzes the main milestones of the third season, which ends this Sunday the 9th on HBO and HBO Max.
